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Once Stuart and a friend named Channing swore
revenge on a shoemaker who got them into trouble. They sneaked up to his open window on a dark night, and
one boy fired a gun while the other squirted blood they had stolen from a butcher onto the cobbler's bald
head. The shoemaker rolled over among his lasts and lap-stones, crying that he was murdered. Hiding in the
long grass, swallowing down their mirth, the urchins watched his wife run in and scream for help; they saw
the doctor, who had arrived with his beard flying, approach the corpse gravely, wash off the blood, and then
stare in amazement. They were so entranced that they did not set off for their homes in time to make a clean
get-away; the miraculously revived cadaver rushed out to complain, and as the boys were found in bed with
their shoes on they were adjudged guilty and roundly beaten with a birch. When Stuart called on their
vie-
. tim years later and reminded him of the incident, the
old man shook his head. "If you're as good a man as you were a bad boy, you're a devilish clever
fellow."
Waterhouse remembered that -Gilbert was "a very capable,
self-willed boy, who. perhaps, on that account was indulged in everything, being an only son, handsome and
forward and habituated at home to have his own way in everything, with little or no control from the easy,
good-natured father." Rebellion was in the Stuart heritage. Although there appears to be no foundation for
the story that Gilbert's father fought at Culloden, his sympathies were undoubtedly with Prince Charlie,
and most of his American friends were Scottish exiles. He seems to have become a more violent rebel after he
had been in Rhode Island for several years; he changed the spelling of his family name from "Stewart" to
"Stuart," and added to his son's name, some time after his baptism, the middle name of "Charles," which the
lad bore proudly for a while before he discarded it entirely. Certainly the talk around the dinner table did
not teach slavish obedience to constituted authority.
Despite his wildness, Gilbert was in his own way preparing
himself for his future career. He played duets with his doting sister, and spent hours listening to the
fine organ Bishop Berkeley had given Trinity Church. He could not decide which he liked more, music or the
fine arts. There were a few indifferent copies of old masters in Newport for him. to see, and these inspired
the drawings he made before he was well in his teens. A rotting stone or a lump of clay served him as a
pencil, and fences, barndoors, or the tailboards of wagons took the place of canvases. His technique was
entirely childish, merely the sketching of an outline, but the result was adequately impressive to
discourage the emulative efforts of Waterhouse and to impress a distinguished Scottish physician, Dr.
William Hunter, who during a professional visit to the Stuart home was amazed to find every flat space
scrawled over with drawings. The physician cultivated the acquaintance of the ragged urchin
he
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America's Old Masters
found sketching in a corner, and invited the
youngster to his house, on whose walls hung several pictures ascribed to Salvator Rosa. Hunter gave the boy
brushes and colours, probably the first he had ever possessed, and commissioned him to paint two spaniels
lying under a table in his drawing room. The resulting picture still exists.
Stuart soon met Samuel King, a young
instrument-maker who had taught himself to manufacture portraits. Completely in the journeyman tradition, he
probably had a partner who painted bodies, leaving the heads blank for King to fill in whenever he could
secure a commission. Crude as the result was, it passed for art in Newport, and King had the distinction of
being the first instructor of three important American painters: Stuart, Malbone, and
Allston,
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